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I Love a Mystery is an American radio drama series that aired —44, about three friends who ran a detective agency and traveled the world in search of adventure.

Written by Carlton E. Morse , the program was the polar opposite of Morse's other success, the long-running One Man's Family.

Their motto was "No job too tough, no adventure too baffling. These straddled the genres of mystery , adventure , and supernatural horror , and the plot lines often took them to exotic locales.

Doc was played by Barton Yarborough and Jim Boles. Reggie was portrayed by Walter Patterson and Tony Randall.

The agency's secretary, Jerry Booker, was played by Gloria Blondell. In later shows, Jerry's role was increased, and she replaced Reggie.

It followed the post-war adventures of the trio who worked for the Twenty-One Old Men of 10 Gramercy Park in London, an extra-governmental organization of some power.

I Love Adventure ran for 13 episodes. This series, which was sustaining , began October 3, , and continued until December 26, , with minute episodes heard weeknights at 7 p.

Tough, charismatic group leader Jack is usually the first to figure solutions to the mysteries. Jack has more of an edge than the typical radio hero of the period.

He distrusts the attractive women who always seem to show up, and he professes to dislike women in general.

The series' writer claimed that Jack's problems with women had to do with his youth. He had gotten a girl pregnant and had to leave his home town in shame.

This was only a back story detail and was never made explicit on the show. Doc and Reggie are slightly less edgy characters. The Texas-born Doc is a hard-fighting, boastful, high-spirited character who provides comic relief.

Reggie, an Englishman noted for his great strength, however, usually shied away from the fairer sex. Morse, regarded as one of the best writers in radio, took delight in creating vividly imagined settings for the show and elaborate, often bizarre and at times over-the-top plots.

In a medium whose heroes tended to be serious and strait-laced, he created three who were wonderfully reckless and exuberant. Jack, Doc, and Reggie were more interested in the thrill of adventure than in righting wrongs.

When they collected a fee, their only goal was to spend it as quickly as possible.

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Critics Consensus: Jumbled and shallow yet easy to watch, Kaboom is a one-night stand that isn't meant to lead anywhere -- but is fun enough while it lasts.

Directed By: Gregg Araki. Directed By: Philip Kaufman. Critics Consensus: A grim mood piece with good performances from the leads. Directed By: David Mackenzie.

Critics Consensus: Wild Things is a delightfully salacious, flesh-exposed romp that also requires a high degree of love for trash cinema.

Directed By: John McNaughton. Critics Consensus: No consensus yet. Directed By: Walerian Borowczyk. Directed By: Roman Polanski.

Directed By: John Duigan. Critics Consensus: Acted out with both physical and psychological nakedness by its two leads, Intimacy is an unflinchingly honest look at alienation.

Critics Consensus: The Pillow Book is undeniably sensual and visually ravishing, but the film's narrative lacks the hypnotic pull of its imagery. Directed By: Peter Greenaway.

Critics Consensus: The Night Porter's salaciousness gives its exploration of historical trauma a bitter aftertaste, but audiences seeking provocation are unlikely to forget the sting of this erotic drama.

Directed By: Liliana Cavani. Directed By: Eva Husson. Critics Consensus: Grimly stylish, Ken Russell's baroque opus is both provocative and persuasive in its contention that the greatest blasphemy is the leveraging of faith for power.

Directed By: Ken Russell. Critics Consensus: While Paul Schrader's clinical direction and Richard Gere's muted performance don't stir much passion, American Gigolo succeeds as a stylish character study.

Directed By: Paul Schrader. Critics Consensus: The sex may be explicit, but Mitchell integrates it into the characters' lives and serves the whole story up with a generous dose of sweetness and wit.

Directed By: John Cameron Mitchell. Critics Consensus: If it can't quite live up to Nabokov's words, Adrian Lyne's Lolita manages to find new emotional notes in this complicated story, thanks in large part to its solid performances.

Directed By: Adrian Lyne. Critics Consensus: Lila Says is a vibrantly told coming-of-age story, helped by the sultry charisma of Giocante.

Directed By: Ziad Doueiri. Directed By: Matthew M. Ross , Matthew Ross. Directed By: Jon Hewitt. Critics Consensus: Tie Me Up!

Critics Consensus: Double Lover offers kinky pleasures that should thrill fans of classic erotic cinema while adding some uniquely transgressive European twists.

Directed By: Lynne Stopkewich. Critics Consensus: Beneath the gratuitous nudity lies a complex and visually striking movie.

Directed By: Julio Medem. Directed By: Argyris Papadimitropoulos. Directed By: Ang Lee. Directed By: Dennis Hopper.

Critics Consensus: A surprisingly sultry performance from Ally Sheedy elevates High Art from pretentious melodrama to compelling -- if still a little pretentious -- romance.

Directed By: Lisa Cholodenko. Critics Consensus: Though it makes for rather unpleasant viewing, The Piano Teacher is a riveting and powerful psychosexual drama.

Directed By: Michael Haneke. Critics Consensus: Visually striking and aggressively confrontational, We are the Flesh may prove as difficult to watch as it ultimately is to forget.

Critics Consensus: Obsession suffers in comparison to the Alfred Hitchcock masterpiece that it mirrors, but director Brian De Palma's unique preoccupations give this thriller its own compulsive, twisted fingerprint.

Directed By: Brian DePalma. Critics Consensus: Confidently campy and played with groovy conviction, Beyond the Valley of the Dolls is an exuberant expression of both the hilarity and terror that comes with free love.

Directed By: Russ Meyer. Critics Consensus: Though hard to watch, this film's disturbing exploration of freedom of expression is both seductive and thought-provoking.

Directed By: Bernardo Bertolucci. Critics Consensus: Kubrick's intense study of the human psyche yields an impressive cinematic work.

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Directed By: Leos Carax. Directed By: Jean-Jacques Beineix. Critics Consensus: More complicated than your average bodice ripper, Catherine Breillat's Last Mistress features beautiful costumes, wrought romances, and a feral performance from Argento.

Directed By: Catherine Breillat. Critics Consensus: A potboiler in the finest sense, Fatal Attraction is a sultry, juicy thriller that's hard to look away from once it gets going.

Critics Consensus: Maggie Gyllenhaal impresses in this romantic comedy with a kinky twist. Directed By: Steven Shainberg.

Critics Consensus: Darkly funny, fearlessly bold, and thoroughly indulgent, Nymphomaniac finds Lars von Trier provoking viewers with customary abandon.

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Directed By: Pascale Ferran. Critics Consensus: The Wayward Cloud may baffle more literally minded viewers, but its surreal pleasures will resonate with fans of thoroughly unique cinema.

Directed By: Ming-liang Tsai. Directed By: Louis Malle. Critics Consensus: Exemplifying Brian De Palma's filmmaking bravura and polarizing taste, Body Double is a salacious love letter to moviemaking.

Critics Consensus: Reid gives a fearless, realistic performance in depicting an older woman's sexual blossoming.

Directed By: Roger Michell. Critics Consensus: Moody and steadily alluring, Sea of Love benefits immeasurably from the window-fogging chemistry between Ellen Barkin and Al Pacino.

Directed By: Harold Becker. Critics Consensus: Angel Heart lures viewers into its disturbing, brutal mystery with authentic noir flair and a palpably hypnotic mood.

Directed By: Alan Parker. Critics Consensus: A whimsically engaging sex comedy. Directed By: Shohei Imamura. Critics Consensus: Boasting stellar performances by Michael Fassbender and Carey Mulligan, Shame is a powerful plunge into the mania of addiction affliction.

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He distrusts the attractive women who always seem to show up, and he professes to dislike women in general. The series' writer claimed that Jack's problems with women had to do with his youth.

He had gotten a girl pregnant and had to leave his home town in shame. This was only a back story detail and was never made explicit on the show.

Doc and Reggie are slightly less edgy characters. The Texas-born Doc is a hard-fighting, boastful, high-spirited character who provides comic relief.

Reggie, an Englishman noted for his great strength, however, usually shied away from the fairer sex.

Morse, regarded as one of the best writers in radio, took delight in creating vividly imagined settings for the show and elaborate, often bizarre and at times over-the-top plots.

In a medium whose heroes tended to be serious and strait-laced, he created three who were wonderfully reckless and exuberant.

Jack, Doc, and Reggie were more interested in the thrill of adventure than in righting wrongs. When they collected a fee, their only goal was to spend it as quickly as possible.

Valse Triste by Jean Sibelius was the program's theme music. During the show's Mutual run, its opening was a train approaching a grade crossing sounding its horn full-tilt.

It was announced that in Audio Cinema Entertainment, Inc. Several episodes of the following series are missing, hence explaining plot holes in surviving copies.

Reggie did not appear in the movies as he had been written out of the radio series. The movie was about a man who seeks protection after he predicts his own death in three days.

The names Jack Packard, etc. After being shelved for six years, NBC aired the movie in I Love a Mystery was an influence in the development of the long-running Hanna-Barbera franchise Scooby-Doo in its early stages of development as a live-action series under the working titles Mysteries Five and Who's Scared?

The radio show was also adapted in a comic book version by Don Sherwood. From Wikipedia, the free encyclopedia. Retrieved 8 April The Ogden Standard-Examiner.

Retrieved May 1, — via Newspapers.

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